I have recently added new pages to my website and done a reorganise. Come on over and visit 'Adirable', the fruits of my gastronomy endeavours in 'ButterBING', my incredibly talented partner's kiwifruit creations in 'Kiwi-Kai', aaaaaand my baby-wear crocheting in 'Mademina'.
I hope you enjoy and are inspired.
'ButterBING'
'Kiwi-Kai'
'Mademina'
'Adirable'
Chittaranjan Park
Have you ever spent hours of heartfelt investment with beautiful ingredients to bake something incredible only for it to turn out to be a bit of a hot mess?! (forgot the eggs? misread a step? snoozed through the timerโฆ?!) Are you the type of person who gets pissed off, discards everything and dejectedly shoves it into the rubbish or do you dig in regardless with gusto and giggles and a little hope that it wont be as shite as it looks after glaming up the results to the best of your ability?! Nothing like having your fingers covered in something or turning a disaster into a memorable discovery huh?!
Old Delhi
To me, India (a very loosely used term here; I'm in no way colouring an entire countries perception with a short time in New Delhi!!) has qualities of a similar incarnation and it's perhaps why I love it so much- I'm all about memorable discoveries. Itโs filled with passion and best intentions but it really is a heaving, complex concoction! My experiences are full of surprises and none of the fears I myself, or others projected, but I totally appreciate how this is a very particular animal to take on- to me, it all makes sense in its own way and on its own terms, but itโs in no way โeasyโ or well baked as such.
I see patterns, colour, fun, logic and love in things which others disregard or are afraid of. India is a wild ride taking you where she wants you to go- the only piece of advice which has had any relevance or truth here was given to me by my wise friend Craig โYou know how this works, treat it like an acid trip baby; go with the flow and all will be fine; but fight against it and you will hate the rideโ. Honestly, I can't think of a better way to put it. She will give you what you see- if you can spin that into a positive then you will be rewarded ten fold, but focus on the flaws and you could become buried under the tumultuous waves of the realities of life in her rawest, most topsy-turvy manifestation. I acknowledge my gratitude for life comes from a conditioning to accept and understand the chaotic which is a little more unusual than the average, but really, there is just so much to admire. To be honest- I think I love seeming pandemonium because of two things- madness always has method, and I love not knowing things and having new puzzles to figure out; familiarity is not my friend.
Hauz Khaz- overlooking the deer park
Hauz Khaz- overlooking the deer park
Relinquishment. She's your best friend hereโฆ and I would say, actually in life in general this quality is by far my most useful. Hold onto preconceptions or bring judgements with you to India and it aint gunna be pretty- thereโs a lot of difference if you are being literal in comparisons between where you are from and where you now are. However, If you can find similitude below the superficial and straightforward and into the metaphorical and esoteric, youโll be onto a winning strategy. Aesthetically, New Delhi is lush, filled with dazzling architecture, stunning parks and vibrant wildlife; she is one of the greenest and most stimulating megalopolises Iโve visited and fuuuucking hell she packs culture punch like no other.
Over the years, I have seen disgruntled travellers bent out of shape within complex environments or at times been so myself, and I have thought- 'this is more than ok for everyone around me, why canโt this work for me?' Iโve learnt, itโs not the place that is messy, itโs more often the perspective of my mind within it and that it is only chaotic until you can fill yourself with local logic- everyone else is managing a system, itโs just different to the alien (thatโs the neebie) :) This spin is a good one to be able to whirl when I'm in a foreign environment wanting to do something intense like travelling by motorbike at rush hour after landing in a new locale- because it makes me reflect and focus on configurations and similarities- not what is different, if a person can do this then they are on a sure fire way to finding middle ground, comparability and ultimately a sense of peace. This technique, is in my opinion the 101 of turning furore into fun.
Rickshaw-n
Perhaps a disclaimer is necessary here however- there are many other cofactors and choices I have made in order to sustain a lifestyle like this- I don't drink, I am an experienced judge of character, I've lived and learned about my boundaries through trial and error, I can distinguish structure and rules and have a sensitivity to the ones which can be pushed and ones which must remain etc.. this is what is a bit of a worry to me with things like Instagram, it doesn't tell a back story- people see a post like me hitting clubs here: depending on character, choices and lifestyle, doing this could be incredibly risky for another personโฆ In most instances I keep well away from tourist traps, I rarely stay in hotels and am far more interested in what Mr & Mrs Smith and the locals are up to within my location and I attempt to assimilate into local customs and mannerisms as fast as possible. AirBnB is possibly one of the best things that has happened for expeditions- it has a huge impact on safety and affording a sense of privacy and relative anonymity while travelling; it also presents an opportunity to learn local knowledge and the in's and out's of where you are from your host and community- this is gold. Ya gotta be canny- in upcoming locations there is an increased risk of kidnapping- have you googled your name and seen what a person can view through this? Does your social media profile give the impression someone might pay for you? Are you lax about location tags and travel plans?.. interesting things to keep in mind huh. I play many characters while I travel depending on how comfortable I am within my environment and what level of attention I may want to attract- sometimes there is a lot of incongruity between actions and depiction. In life and especially in travel it can be advantageous to be mercurial.
There is a huge amount coming at ya initially in New Delhi- people stare, people attempt to rip you off, people have a crack at taking you for a ride, there are affronting situations and behaviour, things run on a very different schedule and order- why the fuck would you want to be there some may say?! Because, itโs totally fascinating, how within this it all works, and to be honest, itโs really not that bad- itโs all part of a game. Everyone is trying to make a living and however you roll it, you 'look' like a cash cow- that's the impression anyhow. I see it this way- the person might get to make a little extra off me (definitely it will be a little more than the average local pays)- I want to find a place where that isn't ridiculous. So they get some good karma getting a little extra; they may only have locals for the next week, and I'm a lucky bugger getting to experience new things and selvage some respect within the system. Seriously, no-oneโs lost an eye- is it worth getting bent out of shape about? Adjust the strategy for the next round, familiarity takes time ;) You eventually get what you want, where you need to go on time, and somehow, soooomehow in some otherworldly manner the loops link inโฆ but that convoluted path- well I see a lot of extra learning in that squiggly line and I canโt help but to keep wanting to push the envelope to see how far it will all go. Donโt you want to test yourself and see what you can appreciate?!
Tight Nukking
A societies driving and walking characteristics say a huge amount to me about the underlying psychology of where I am. India is all about looking forwards, self entitlement, shooting the gap and filling space to get somewhere in any way possible now now NOW; traits mirrored in the way the country is growing, some of the major social issues, the ways people interact and the overall development of this nation. I have total admiration for their highly developed sense of spacial awareness however- it's a remarkable and enthralling thing to be immersed within. Iโve seen treadmills being transported by bicycle, cows in the middle of the road, endless people crossing highways (including myself- itโs all in your confidence I tell ya) a windscreen being carried by a passenger on a motorbike, been nearly crushed on one occasion, watched children running along the dividers of the motorway playing balancing games and other wacky eyebrow raising sights, but it has order- yes there's lots of beeping, complete disregard of lanes and relative disregard of traffic signals BUT there are other rules, in someways much more natural rules of flow and hierarchy and of letting others know where you are and how you are coming. It works- youโll get there- no-one is intending to die.
Positive mind, positive life, looking forwards not back... ok yeah yeah we hear this all the time but it can go waaay to far (this really kind of makes me cringe & I totally don't agree with that last one)โฆ but I think the more important factor in this is actually the digging out of the positive by recognising and evaluating the negative. Yeah, I am a happy go lucky kinda chick, but Iโm not living in a bubble. Without experimenting with, imagining and thinking through scenarios, both fabbo through realistic to horrifically bad, we are not facing the realities of life and the consequences within. I would be a very dangerous person within my activities if I hadn't cultured these qualities. This type of expansive recognition to whatโs going on, in a way similar to defensive driving, brings about a more compassionate, prepared and balanced way of living to strive for. The actions and skills that are needed within this technique creates successful developments, but I am more and more starting to think in some ways it helps deter the worst of the worstโฆ yes I know this sounds a little superstitious, but honest to God, if I have a creepy inkling and concept and I attempt to hide it, I can be most definitely sure in some way it will become an issue to deal with. Thinking though it, not getting fixated on it. I wonder whether a little of this thought pattern would be helpful hereโฆ going forwards with blinkers on leaves a lot of collateral damage behind you.
Self responsibility to moderate oneโs expectations, to consciously let go of controlling situations and their outcomes, an ability to take opportunities for completely indirect results, seeing pleasure and finding enjoyment in the wacky, pointless, absurd and wild, honestly recognising humanities flaws (this pinpoints my personal ones also) and social trauma for clearly what it is and ascertaining what I have of value to invest productively within this situation are traits that are very valuable here. India in relativity can be seen as extreme; she is relentless and volatile but I feel calmed by this rather than agitated. When there is so much intensity it is actually easier to find a path through because you just have to; there is no other option. I find something satisfying about having craziness wash past and around me, yet being able to be centred within it (or perhaps Iโve just found my own kind?)- it makes me feel alive and very much within the moment. India is unapologetic, unabashed, totally accurate in itโs in-accurateness and genuine (at times in a backwards Iโm gunna rip you off way until you flash your stripes- head waggle waggle) and I have boundless curiosity for people and situations that are authentic and daring.
The fashion, textiles and colours I have seen in Delhi outstrips anything I have seen worldwide.. the only close rival being Japan- they are simply out of this world- the detail, the embroidery, the colour... YYYY.UUUU.MMMM. These shots were taken at the exclusive New Delhi boutique Ogaan.
Recently a beautiful man wanted to enquire about where my thoughts take me; in particular what my fantasies are. It threw me a little- you see, I live them, they are eclectic, spicy, wild, racy and sweet; at times dirty, exotic & chaotic; at others clean, fresh and gentle. They are filled with experiences and people which mirror and reflect my visions; passionate, seductive, individual, provocative, unique, complex, brave, diverse and courageous souls who I treasure. I construct these concepts over months, years and decades, piecing ideas together, following things people say to me, testing out theories, clicking little desires together; working through and looking at apprehensions; by shaping these, they create my reality. Facing things, this is really important- I am blatant within myself at really being honest about what I am up to, what I am thinking, who I am and what needs to be worked on. Fantasies implies make-believe, I don't really understand this- mine are real; I go get them and they come to me.
In another instance a friend asked me who my work derived from; who inspired me. Again I was reflective and a little stumped at the time. I rattled off names of artists I loved- but it's on their own terms that I do so- my work does not look like theirs. And I thought.. yes everything comes from something- but my method is not developmental in such a literal sense. My experiences; my emotions inform my work much more than seeing things. As a I grow older these become more powerful and defined as I learn more about them. I see what is available to me at the time I am feeling creative and how this material fits best with what I want to express; is it tactile? Is it 3D, 2D? Does it challenge me or am I bored by it? Does it relate to a memory? What does it make me feel while I am playing with it? Is it evocative of who I was, who I have become, or where I want to go? These are the things I am asking myself. The technique of expression is then either a development upon an existing skill or requires me to take those attributes and apply them to a new one. My life has a dominant and distinctive strategy however- adventure/ experience, creativity/ production, planning/ plotting and round and round we goโฆ!
A selection of Nepalese and Bangeli deliciousness- predominantly homemade, which ya'll can appreciate is the next level up on mindblowingly tasty made with looooove =^+^= Sushmita I โค your cooking!
For example: when I was in Japan early 2015, I knew I wanted to challenge myself to make very detailed large scale 2D artworks. Over those adventures I saw many detailed and amazing works and had exposure to new aesthetics. When I came home midyear I was in Gordon Harris and I came across Gorman graph paper and it reminded me of memories with my father and a fascination I had had with that paper as a child- I liked exploring these and my mathematical mind liked the concept of making images within a framework, but this wasnโt something I had literally seen while I was away. Pulling on my skills in cross-stitch, embroidery, drawing and other mark making techniques and previous talents, I melded them together to create a new process for me. What was different this time though was I wanted to challenge myself to have faith in not planning the composition (I raised the stakes on myself)- I just started making the marks and trusted myself to be guided to create arrangements expressing my thoughts as I went along- this playful, happy, intense, meditative and fun process was new and suited to my headspace, my identity at the time and my accessible assets. So many factors have to be in play for things to work out and I have to make these line up- people; access to resources, income at the time, time itself, my inclinationsโฆ to me this is where the true value of the work lies- in my adaptability; this is what makes these unique, irreplaceable and precious. To create to a level of excellence with diversity takes immense dedication; it has taken me decades to create what I do next and this will have direct ties to what is happening now and every single thing that has shaped me to this point.
The Lotus Temple- namaste Josh Brown xxx
More and more I recognise patterns and links between how I navigate life and build my ideas. I am constantly feeding bigger concepts with new tidbits of related abstractions, inspiration and direction. These come to me through day-to-day life; sometimes in the strangest of places, but I disregard nothing and file each experience, each learning lesson and concept where it needs to go into the areas I am focused on. It's in the tumultuous curve balls; when it's got really really fucking hot in the kitchen, that the most valuable epiphanies are revealed. I believe every heartfelt investment (itโs our choice if we make these good or bad) is building our lives and orientation- literally constructing how and what comes to us and what we manifest. This is why it is essential to have the freedom to follow and arrange these dots and that we refrain from painting the colours of these for others. Enabling each other to write our stories legitimises who we are, our individual identities and our exclusive purposes.
Most people underestimate the effect of mirror reality; how we behave professionally in most instances has strong ties to our personal lives and vica versa. I adore people who are driven to live authentic unorthodox existences because it demands a consistency of character, an honesty to themselves and those around them, and because it inherently means they treat their loved ones with the same respects. To do this well means developing delicately balanced skills in order to be able to articulate what we need and how we need it without guilt about being unusual or hurting those around us- this is extraordinarily complicated. I find as a woman, seeking balance between ambition and acquiring what I need for a particular reason without endless justification can cause friction and conflict- with others but also with myself; that self destructive/ sabotage tendency can run rather deep in us wee creatives. Balance is easier for me when I am independent, but infinitely more elaborate (but wonderful) when we have grown to be able to incorporate this with partners, lovers and friendships.
Chandni Chowk market area and Prem Silk Store.. which resided down a labyrinth of market stalls inside a door under the yellow sign :P
Being an only child and very independent from young has meant I had a good hold on being assertive as an individual, but not so good in intimate partnerships. The last few months has challenged me to learn more about being better with those who love me; I needed to learn I cannot control how others feel and how they want to share that, nor is it fair on myself to push them away or restrain their freedom of expression towards me with powerful emotions. Interestingly, I was good at giving this but a total hypocrite at receiving it- we live we learn huh! I can get protective of my pride and defensive of my vulnerability when I feel I have overly exposed my emotions. My pattern in partnerships sees me at times to slip into a differing and more accommodating seat, a place where I inevitably become bored, repressed, uncomfortable or agitated- but with only myself to blame. Being exceptionally accommodating is a rather useful trait within a nomadic and transient life- but itโs not so good when it spills into personal interaction. Learning why I felt this was how I should behave or why I do this has been fascinating and immensely valuable in order for me to not repeat patterns of the past, and to paint a different vibrant future; fear of rejection can come in sneaky packaging.
Not to bloody shabby in 3 1/2 days ;)
Life can be totally ironic huh; my greatest fear has also been the thing I am most fascinated and enamoured with- I love to love, but had huge trepidation about being cherished in return. This fear having legitimacy due to past experiences- but something that had the capacity to be very detrimental if I decided I wanted to carry it with me into my present and future. One foot was planted in being scared of the restrictions upon my freedom, another in fears of rejection and increased levels of emotional risk for myself and loved ones- powerful emotions have volatility. It has been a complete revelation to realise that accepting adoration can be unrestrictive and incredibly empowering, but within this there is a responsibility to myself and others to not detrimentally compromise who I am and also to be honest about how I feel, where I stand and what I want to do. We feel certain ways and have instincts for particular reasons to be who we are needed to be; conditional and unconditional love are fascinating siblings.
Delhi Metro...it's a wild ticketing system... !
There has been an internal battle going on between being grateful with what is provided and available, and getting what I require emotionally to be happy in my life for my needs. My expectations on myself of these requirements have been unrealistic and inaccurately appraised- me trying to fit my emotional desires into prefabricated boxes- not good for moi, not good for anyone around me either. To love, to be loved, to whom, how, where; to provide/ to be provided for; how powerful these energies can be.. these can be really touchy topics when they arenโt as others have described or what is the social norm- when I really started feeling these things out my intellectual concepts and my emotional ones were sometimes quite in opposition. I decided, it is not up to me to control my feelings, we can rearrange and question thoughts, but these responsive reactions are hardwired for a purpose. In my opinion, a power much bigger than me decides how these happen and where they takes us- all I can do is recognise each as itโs own and make the best of them within a balanced sense of compromise and contest.
Recently a man discussed with me a concept of how as humans we steal each other's energy. These methods are used to attract emotional attention and investment from one another in order to gain power. These four strategies we all use in varying measure, but we will have a natural preference to one particular way over another depending on our upbringing and conditioning. There is Aloof, Woe is Me, Interrogator and Intimmidator. It has been a fascinating concept for me to ponder, as you have just read, emotional investment and provision have been prominent concepts of recent.
Bit of a crazy story how this chick got to the other side... ;) Kiran Nadar Museum of Art was over there, and I was NOT walking 30 mins around the block when the men were doing what I was about to... YES it was worth it- KNMA was outrageously good.
India is helping me become assertive (eek I here some say, you are rather formidable as is)- Iโm not talking about an external confidence or vocal sense (although this is needed here as a fair, Western woman- it is just reality that my sex/ skin/ colouring has a big role to play in how I am treated- and seriously, it has far less to do with noise and more to do with presence)- it's an internal strength, a sureness of self and my decisions. Nowhere else would be as perfect to help me work though my thoughts and impressions and develop further in these ways. Just as nowhere else was as perfect as being isolated in a house on top of a cliff in Japan to find a new strategy for communicating my feelings without articulating them through speech. This is the value of travel and pushing that comfort zone to the wall- life slams into full exposure.
Holi was wonderful, although I didn't get half as demo'd as I thought I would- everyone was rather timid and respectful in colouring and drenching me!
My memories from childhood and curiosity with India has spanned decades and it is wonderful that furnishing this passion has brought me to this land now. My love towards those that have assisted me in this adventure- you know who you are, is limitless, but it is also extended to a lifetime of people and situations that have accumulated towards this passion also. As I have become stronger, I have met others also on incredible journeys of discovery- life colliding our trials and tribulations, joys and delights; enabling us to help each other grow through participation and contribution. To share with others and unravel our anxieties and intimacies to me is the kernel of existence. We are reverberations of each other, and when we get this mix right; if the best we can be is what we strive for, then there is only benefit for ourselves and for anyone who encounters us in the process. For this luxury; to be able to explore, live and create while doing what makes me tick, fizz and flourish makes me ecstatic, eternally grateful and empowered.
เคเคชเคเคพ เคฌเคนเฅเคค เคฌเคนเฅเคค เคงเคจเฅเคฏเคตเคพเคฆ!
โค
It has been an exciting and demanding few weeks creating and seeking opportunities for India!
I love working with children and young ones one-on-one and sharing my passion for creativity and design. Ever since I was a child I have really enjoyed being a part of days or afternoons of artistic activity; learning new things with other people and sharing and interacting while doing so is really cool, and worthwhile. Ya see, itโs not just about what you are doing, itโs about what you are feeling, talking about with others, sharing and experiencing. Itโs about meeting people who challenge you, itโs about meeting people you admire, itโs about seeing things done different ways and itโs about p.l.a.y. โengaging in activity for enjoyment and recreation rather than a serious or practical purposeโ. Invention, ingenuity and creativity comes from doing things differently, and that doesnโt come too well if itโs panicked about an end game (that can tick along in the sidelines and come back in later).
โA lot of people forget how important it is to be creative. We get caught up in getting ahead and in day-to-day minutiae. But creativity is a fundamental mode of expression, as is being tenacious and standing by your own convictions and passions, even if itโs not the โpopularโ choice.โ
Sitting solitary at a computer or device can teach and impart many things, but it lacks a personal touch and it only gives one thing- it doesnโt share on more than one platform.
Those of you who follow my blog or writing will be well aware of my love of spectrums, juxtapositions and qualities. In this life, there are many, many ways to do the same thing, but they can be greatly varied in the beneficial attributes that each way has. I like doing things that hit many bases. I seek things that help others, help me, do things differently, have challenge, are unusual and have the capacity for exploration both mental and physical.
Hereโs a relevant comparison for you of what I mean:
Learning how to paint on an IPad.
ease of access; linear engagement
no need to leave the house, no challenge to find new location
only buy/ collect the media for that job- no access to other materials
limited meetings with other people and having to interact and communicate
it's very stop start & interrupted making- flicking back and forth between things
relatively low stress/ challenge/ competition with others
no time limit
accessable 24/7 and often free
relatively static/ low impact physically
opportunity for daydream away from the topic
itโs only one way- no group brainstorm that leads onto other things
there is no-one to talk to- one cook in the idea kitchen
less instigation of creativity sparked from peripheral situations/ exposure to additional things
experience isn't stored in long term memory- no โkapowโ factor
there is no motivation to ask questions, dispute the learning method or see other ways of doing the same thing
there are no bloopers
when mistakes happen itโs easy to walk away
Learning how to paint in a workshop over two days with other people in a different environment, culture and language.
all the challenges involved in travel for those attending- new culture and societal structure
new city to navigate and find bearings- absolutely necessary to push oneself to interact, talk with others- the journey is just (if not more) important than the course!
required to look after yourself and those around you in order to get where you need to go- personal challenge
person may be challenged to have to lead or take a role they otherwise would not do in โnormalโ surroundings- group challenge
movement
more high impact = less time to worry about other small things
sharing one personโs cultural ways of doing things with anotherโs
exposing the new culture to a different looking person and attributes
new communication techniques, languages and gestures- gettin creative with the basics!
stripping away fearโs related to external appearance or impressions- people see when spending time together we are all deep down the same stuff with the same basic needs and concerns
individual confrontation of prejudice, fear, unfamiliarity, anxiety
group dynamics- helping weakest/ challenged members, supporting domineering or controlling members to be better team players
organically letting the development flow and introducing new concepts/ techniques in relation to this- lots of cooks in the ideaโs kitchen!
lots of different people to talk to who share a common interest, and being made to by necessity
learning how do do something new, liberating and fun- instigates a higher level of creativity
humour, play and enjoyment
lets re-write that one: play and enjoyment. These are ESSENTIAL building blocks in helping someone learn, retain information long term and instigate changes for the better
ya canโt just shimmy out and walk away as easy
if it โflopsโ there is a person there to help
the feeling of belonging, being part of building something bigger than just yourself and making real friendships- this. is. huge.
sharing a little hope and joy to those less fortunate or being shown there is help available and other people care- that IPad doesn't hug and touch
create positive long-term memories for a person to draw upon- 'kapow' factor!
imparting passion- that feeling good and having fun lives within us and in cooperation; by reaching out a person can learn they already have all the skills within them to make things better and improve their heath and surroundings. Positive impact starts with personal responsibility.
con.fi.dence and increased feelings of self worth and value
engaged creativity- it's all the peripheral stuff that additionally feeds this machine
What we have in our heads, is far more sophisticated than anything we can can put in our hands or laps ;)
Sooo because I love doing what I do and want to maximise every avenue available in order to share these gifts while I am away, I have done the following:
Iโve approached the Wellington India Association with the invitation to explore connecting me with their contacts in India to set up an artistic connection between Wellington and cities abroad. I offer organised workshops sharing my knowledge and artistic skills with the local community and the opportunity to be a part of my next exhibition. This will be work inspired and possibly partially created in India.
I have introduced myself and offered my time, resources and skills to the following galleries for workshops, cultural exchange and interaction while in India:
CLICK on this map if you would like to see where I am going, and follow the updates as I add to it
Kiriti Gallery- Varanasi
India Art- Pune
Aakriti Art Gallery- New Delhi
I have investigated opportunities through MFAT for new business and cultural relationships between India and New Zealand and how my experience and skills could help construct a new cultural link between both nations. India is advertised as a country high on their priority list to network with and nurture new connections.
I have personally reconnected with people who have expressed interest in this new adventure through existing contacts and by getting out there and making new ones; and have met with those who have wanted to extend their support either financially, through connections or emotionally. That last one being just as important than the first two!
Most wonderfully, I have made new friends and reconnected with people I have met previously on my travels from around the world who are interested and excited to meet up with me in India and share in the incredible things I am going to create and develop while there. These fantastic souls are musicians, entrepreneurs, people invested and working within their community, designers and artists. I am incredibly excited to have the good fortune to have people to meet while in a new country.
But hey, lets get real nitty-gritty eh, for most people it comes down to this, โwhatโs in it for me if I help fund your endeavour?โ.
Iโm going to be frank with you- people who help me do so from the goodness of their heart, and because they like what I create. What is the value of me and my skills in a world based around profit? What is the merit of a person who sees value in things that others disregard? What is the value to the people I encounter, help and spend my time with?
If you read the post Moxie .:โ:. I.N.D.I.A recently (later than published) you may have seen I added in information about bigger projects I am working on which have a greater social and community impact than my creations. These trips, these adventures arenโt me just doing art. India is one of the oldest civilisations on the planet and like Japan, I believe there are valuable things to learn from those who have been doing things longer than others. A culture with this much background is a wealth of ideas to draw from- their empires have been built and destroyed many times over- they have developed and gone through commercialisation many more times than the rest of the world- are they not our future? Is India not what we will be, not what we were?
'Sooo' you ask, 'you haven't answered the question, what do I get?' You get to be associated long-term to a genuine, honest, talented woman who has a bigger and better picture for how we do things and how to help keep each other healthy, and come hell or high water is going to do something about it. You get my time, you receive my respect, you have an honest friendship not built on your wallet but of a true debt that I owe you as a human- you need a hand, Iโm there- you have access to a wealth of skills and knowledge- lets talk about how we can help each other; and, if you find yourself drawn to a creation of mine- a wonderful unique artwork. This isnโt everyones thing- if you want a association to the 'art world', galleries and the lifestyle that entails Iโm not your woman. But if you can see a bigger picture with me and are curious to seeing how Iโm going to pan out and want to be part of it; if you trust me to follow through with what I say, if you see I am genuine in my activity to help others and subsequently work on the ideas I have to build & change things, then you my friend are the type of person Iโd like to talk to.
โOne very important aspect of motivation is the willingness to stop and to look at things that no one else has bothered to look at. This simple process of focusing on things that are normally taken for granted is a powerful source of creativity. โ
Don't take me for granted- I'm more than what you may expect. Be creative, take a risk, look a little closer...
I am relentlessly committed to extending myself, pushing the boundaries and propelling my creative abilities with fresh perspectives; Yeeep, Iโm off again... and this time it's I.N.D.I.A
2016 was a very challenging year for me as I came back to NZ to deal with serious health concerns. But I'm glad I did for I healed myself to become stronger, wiser and ready for another chapter. For me to be well physically, mentally, spiritually and to be happy, I have to find the next step up; the next challenge. Sitting still or conceding to being comfortable is not an option. I am persistent in my compulsion to want to progress; to experience new things and create new relationships. Last year, in addition to mending, creating new work and planning new achievements, I used my time home in 2016 to mentor and help other people and creatives one-on-one. To have this opportunity was incredibly valuable; for others, for myself and for the community as a whole.
โJust as your car runs more smoothly and requires less energy to go faster and farther when the wheels are in perfect alignment, you perform better when your thoughts, feelings, emotions, goals, and values are in balance.โ
The most joy in my life comes from being able to share my time and gifts with people who appreciate them; the most misery from when I get tangled up thinking of myself. My spirit and diverse repertoire is seen internationally as precious, commendable and to be celebrated; but alas, on home soil, my talents and personality is not as understood nor acclaimed. This 'acclaim' isn't as you may think in a traditional back patting award sense, it's just day to day being me. Although I adore NZ, I let out a big breath as soon as I board an international flight! My urge and impulse to travel and to move is a necessity because I love sharing my good fortune, but it is also to feel valued in return.
My commitment to my artistic development was proven over the MOXIE .:':. JAPAN indiegogo crowdfunding endeavour. Not only did I fulfil my aims and objectives, but I exceeded them and publicised my achievements through regular detailed updates on my blog. Upon returning to NZ via Canada, I created and self funded a solo show of new work and then returned, again self funded, a month later to Japan as Artist in Residence at MeiPAM Gallery.
I discovered, nurtured and developed this opportunity and it is a testament to my follow through and devotion to my dreams. Finishing up in Japan late 2015, I then again took the bull by the horns buying a one way ticket to London and subsequently on to the Netherlands via Spain, exploring creative directions, networks and new cultures. I met an incredible group of intellectuals in Amsterdam which had a profound affect on my decision to come home and extend my skills to those around me. This is not the start of something new, but another chapter in a book thick with sharing my gifts with others, either at home or abroad. New networks and experiences don't just impact upon me, they affect whoever I touch next in a positive and productive manner. Encounters shape and refine how and what we think, feel and behave like, and when these are demanding and stimulating, they challenge us to change and grow. Relationships forged by sharing time together are tremendously powerful- we canโt forget those we laughed, dined or adventured with, but we sure can dismiss an email.
I am extremely proactive towards exploring avenues for investment including applying for grants, approaching galleries, crowdfunding, auctions, online sales, selling all of my possessions and completely altering my lifestyle. Conditioning myself psychologically, physically and with more skills to be ready for different situations takes commitment and dedication. I am constantly doing things and doing them differently to keep on edge and learning. My journeys are hard work. I source work, budget within parameters and constantly reevaluate situations within what is presented and available at the time. I have always garnered a great sense of satisfaction from bringing about amazing results out of a bag of limited resources, but since Japan, I have pushed this much, much further by purposely refining my avenues and techniques. I find it is extremely rewarding to confront myself with need v want, assess my presumptions and ignorance and subsequently reevaluate my thoughts and reasonings. I never waste an opportunity and I live with no regrets.
I am unusual in my travel methods. A one way flight and first two nights accommodation organised is how I like to start. I push myself to use this level of trial as an advantage because it makes me make the most of where I am and what I see. It lets me interact with people I meet along the way and make decisions based on these encounters. It is me living by my advice to โgo-with-the-flow'. Plus in this day and age, why not? We have so many options available itโs a smorgasbord selection.I am open and transparent in my ambitions to create achievement from adversity and inspiring others to do the same.
Missing out on one of the 10 grants up for opportunity from the Asia New Zealand Foundation specifically for artist residencies was challenging. Especially as they were to support โnew relationshipsโ between Japan and New Zealand- My application was declined as AsiaNZ did not โknowโ MeiPAM Gallery. I had previously applied for support prior to my first trip to Japan under their 'Contestable Arts Grants'. These are 10 grants of up to a maximum of $2,000 each, per grant round for arts organisations and arts professionals to support projects that contribute to New Zealandersโ understanding of Asian arts and culture. This application was also was declined.
Grant applications, funding opportunities and networking through Creative New Zealand takes an enormous amount of time and resources. To some, my approaches may be unorthodox but my genuine nature, authenticity, honesty and work ethic is not. I value, respect, appreciate and cherish the people & organisations that support my undertakings, and I am privileged to have these qualities reflected back to me. My level of discretion, honesty and privacy may make me unusual to some within the industries I work in, but it is also precisely why I am able to meet and work with exceptional and unique individuals- I treat others how I would like them to extend their respect in return. I do what I say I am going to do to the highest standard and I do it fast. If there was an opportunity to be an ambassador for championing the creative arts and creating new relationships internationally based on practical knowledge and professionalism, I would be fighting for that role... actually that's why I am making a role.
I give back in many ways with my time, with my open availability to share my knowledge, through my writing to inspire others to explore, facilitating and conducting creative workshops, and by providing gifts of art to my sponsors and those who help me. My friends, references, former employers and associates can all vouch for my diligence, heartfelt investment and willingness to share my insights and develop further with enthusiasm. I am passionate about living to my fullest capacity doing what I love and encouraging others to do the same by broadening our horizons and sharing fresh impressions with those around us, and the world, through expressions and interaction. I also demonstrate that the 'old' one-on-one way of meeting people still works wonders, and although 'harder' work (is it when we love it?!), I would argue these relationships are faaaar more meaningful, precious and enduring. I don't need 100's of people to do amazing things; quality over quantity works exceptionally over many fields in my life. I motivate others to have the courage and tenacity to establish and substantiate their ambitions on their own terms, and help hands on with valuable and relevant strategies, skills, networks and perspectives. Where there is a will, there is always a way, and I love proving that those can be varied and different.
Creating art is a small portion of the creative enterprises I have in production. I am working on much more complex projects with societal and community influence, and these trips; this exposure to other cultures, directly impacts upon these. New Zealand is a distinctive and diverse multi-cultural society with a unique cultural repertoire and capacity for creativity- but there are gaping holes in the support available for those who want to undertake developing these talents without sacrificing their morals, integrity and virtue or to get access to capital for unusual, ambitious and ingenious personal developments. One project, very dear to my heart addresses this issue and another our access to the building blocks of what is needed to keep minds healthy and happy in order to be able to think outside the box, combat anxiety and be productive. This commercial endeavour is about establishing a creative hub within our urban areas- a market and galleria of-a-type but muuuuuuch more. Bringing back to our communities a place where people feel comfortable to choose quality products at a fair price, learn new ways to use them, meet with the local artisans and producers who make and develop them, and interact with other people while doing so.
Mental health and wellbeing is greatly influenced by interaction; as technology infiltrates further into our daily living (NZ being at the forefront internationally with this), it is becoming increasingly important that people have situations encouraging them to connect with their neighbours and surroundings. This combats feelings of isolation, detachment and loneliness; emotional responses which are becoming increasingly prevalent within our population- yes, it's a much bigger picture than just getting your goodies. Developing the qualities of usefulness, self respect and good citizenship requires imparting the skills to success at the basics- when physical and mental health is in flow we can move onto taking the next step up on ladders towards these attributes. In addition, I aim to have New Zealand artists and designers fully interconnected within the production process through label designs, packaging and manufacturing- creating opportunities for graduates, established creatives and those without formal education but incredible aptitude to gain exposure of their talents. If this piques your curiosity, please do not hesitate to contact me.
โI think change needs to be egoless. Itโs not about me leaving my fingerprints or a legacy. Itโs more important to be part of a process by rolling up your sleeves, being on the ground, initiating projects, starting campaigns - you know, building stuff. My role models are people who can do things; I say to myself, โI wish I could do that.โ โ
New Delhi, Jaipur, Varanasi, Udaipur and Leh
Again self funded, I intend to leave by the end of February or very early March for New Delhi, Jaipur, Varanasi, Udaipur, Pune and Leh (and some other surprising places!!)โฆ but as yaโll have seen before this will only be the beginning!
I invite you to have a look through my artwork for sale and hope you feel compelled to join with me in my new adventure.
Iโd love you to pass my details on to friends and associates who you think may also be interested. I am available to talk with people in person about the merits of my venture and the value that my undertakings extend to society.
Please do contact me if you would like to commission me for an artwork or concept, I am always accommodating at working with people to create their visions; my repertoire is broad and diverse.
To a year of adventure, challenge and excitement!
X
TRAVEL: Different Strokes for Different Folks- but here's how I paint my adventures. Number 1 piece of advice: Travel sloooooowwww. People ask how I get into doing the crazy cool things I see and am involved in and I reckon it's because I travel SLOW. I initially do two nights usually when I get somewhere, and I often use one spot as a base and then travel from there. I go back roads, by instinct and am not afraid to decline an option and move onto the next if it doesn't feel right. Go down alleys and get out of the 'hub'; it's a tourist trap and it's going to cost like one too.
I read the map- keep it in the back of the brain until I need it, then go where feels best... and don't pull on it until I REALLY need it. I get 'lost' all the time and love it; 'lost' is someone else's home. Be nosey- investigate; enter with a smile, apologise and withdraw politely if the line has been overstepped. Talk to people. Listen to others stories but make your own on your own terms. Go for it like you die tomorrow but try spend like you live to 120. No-one has your personal energy or way that you will deal with a situation- trust in this, it will be why your experience can and will NEVER mirror someone else's. Fuck the guidebook- don't worry about missing the bus... actually I'm encouraging you TO miss the bus.
Worry about what YOU are doing and not others opinion of it. Buy cosmetics in squeegee bottles/ sachets (Thank you Aesop you little beauty), Get rid of anything that comes under a header of 'rigid'- that includes ideas. Pack: take out 2/3's (think you can't live off this?!) and wish 1 month later you took 1/2 less again, wear comfortable shoes and laugh. For god sakes don't forget the last one- ever.
P.S: Check out how big the collections have grown on this post!
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ARATOI Gallery Wairarapa
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MeiPAM Gallery
MeiPAM Gallery 4- there are two levels and 6 ROOMS! ^+^
Moving on from Naoshima Islands back across to Shodoshima Island in the direction of Hijime I came across THE COOLEST collection of galleries in Tonosho, Shodo-Island. MeiPAM have four locations around the village for you to find and explore... and one is a museum dedicated completely to MOSTERS! (EEeeeeeEEEIIIIIieieiei!!-- O.M.G- soo bloody cool!)
My family collected Japanese antiques, artefacts and especially hanko stamps and Netsuke ๆ นไป which are the small sculptures that hang with the Inrล ๅฐ็ฑ (which is a small multi-layered lacquered box) off the kimono. The are fantastically intricate, made and carved out of the most beautiful materials, and often depicted nature, animals or stories and deities.
These little sculptures are the precursors to the modern danglies we see hanging off cellphones and bags everywhere :)
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Wandering around the windy streets takes you to the four locales- you have a swipe card to enter and take your time through the exhibits. This relaxed atmosphere really adds to the whole experience. I loved chilling at the one below watching the video in the rocking chair ^=^
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There is lots to do in Shodoshima, The Olive Park and Marukin Soy Sauce Museum were superb, the Onsen at the Oliven a winner overlooking the islands and beaches from the hills- the only challenge at the moment if you are not bilingual is that everything is in Japanese. SO not quite as easy to navigate as the other islands which have had more time and money invested into their infrastructure. This is changing though- I stayed with Mitsu and her boys, whose new contract is to implement just this thing... and the friendliness, relaxed atmosphere and great things to do by far outweigh this blip.
The Setouchi Art Festival (Trienniale) coming in 2016 covers all the islands in this area and from what I have seen will be a must do! This coming theme is INDIA! WOOP!
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& to knock it off, a wee bit o' Moena Moxham Poetry....
NiNi Shodoshima ^-^
The islands of Teshima, Inujima and Naoshima have changed my orbit. It's an experience that in no ways can be given justice in any other expression than just being here. Get on a plane and come; if it's the only thing you do; the only 'galleries' you ever visit.. do these- especially Teshima Art Museum.
For 16 years I have been searching for the pieces I have found here.
The photos below are such a fraction of the happenings- the feeling, the presence and the pace can't be captured and shared, but I can enthusiastically encourage you to come by sharing some of the background on these works by clicking the pictures. Naoshima was my base and then I travelled around from there. Inujima is the lesser known of the islands, but I implore you to strike your own path and make the trip ;)
Teshima Art Museum is the creative visions of Artist Rei Naito and architect Ryue Nishizawa and has slotted in by far clearing the line as my ultimo favourite artwork and masterpiece. NUMBER 1. It is the most exquisite execution of Art...
Teshima Art Museum
"Les Archives du Cลur", by Christian Boltanski needs special mention as well. 'The Heart Room' is an installation of a collection of heartbeats. Boltanski has collected these from around the world. You can even add your own to the artwork. Incredibly moving, and sensationally evocative, it is situated in the most idilic of environments in a picture perfect beach and bay.
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Below: Yayoi Kusama's infamous spotted pumpkins
Dormitory Kowloon, Naoshima- this accommodation is SUPERB- cheap, kitted out with the basics, but comfy and attracts a super duper cool crowd. Just head straight ahead next to the karaoke bar from the ferry terminal toooo ^^
Miyanoura Wharf, Naoshima Island
Chichu Art Museum.. and below
There is a wonderful page about Lee Ufan and his work at the Artsy page HERE
Benesse House Museum
Bruce Nauman, '100 Live and Die', 1984- Benesse House, Naoshima
Below: Iโฅๆนฏ - Naoshima Bath, ohhh soooo gooood!
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Inujima Seirensho Art Museum is a museum that preserves and reuses the remains of a copper refinery on the island. Based on the concept of using the existing to create the yet-to-be, the project brings together architecture by Hiroshi Sambuichi, which makes use of the existing smokestacks and karami bricks from the refinery and uses solar, geothermal, and other natural energies to reduce the burden on the environment, and art by Yukinori Yanagi, which uses Yukio Mishima, who sounded warnings over aspects of Japan's modernization, as a motif. The building also employs a sophisticated water purification system that makes use of the power of plants. The project truly embraces the concept of a recycling-based society as a model for a new type of regional revitalization through industrial heritage, architecture, art, and the environment.
In combination with this are other installations and Art House projects around the island.
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Check out these incredible stories (below) from other adventurous souls. A phenomenal Indian Babette surfer changing the way women are doing things in India. Creativity and how it all works though the eyes of creative people themselves, a motorcyclist and adventurer on a path to discover the new, unusual and challenging with soul and class, and just some hilarious and well funny outrageousness from the boys who brought us This Is The End and Pineapple Express..
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Tokyo Big Sight
Kawaiii!!!! ๆฅตๅบฆใฎใใใใ!
I was a bit squished out of shape in Tokyo. But I couldnโt put my finger exactly on why I was so anxious and feeling seriously flighty. Japan (through my eyes) has a strong sense of conformity and regiment. Alongside my love for order and method, I crave interaction and playfulness- but am a walking, talking contradiction and combination of juxtapositions- just like my current surroundings. I suppose I am finding things about my identity reflected more so here than at home and this includes the good bad and in-between.
Big city life is about fitting in, becoming part of a chain, going with the flow and being part of an ever moving, heaving layering. The well oiled machine doesnโt work so well if one kog pops a spot, or wants to be bigger, more slippery or fit in the opposite way. Japanโs structure and rules seem to condense in feeling with the parallel in architecture; Tokyo is very different to Hokkaido.
I love being switched on, plugged in and stimulated. A trait you might think would suit an environment like Tokyo- but it's counterpoint is I take everything a little too personally, invert situations and am not particularly slick at the opposite: turning off. Tokyo has an interesting balance of tuning out. People's schedules make sense here when you see how the power naps, rest times and abilities to 'clock out' in crowded situations are facilitated.
Here, you are not secular- you are the group. It's not personal, it's just business time. This sounds really clean cut and logical, but when your travelling by yourself, with lots of balls in the air, without a consistent companion to bat some humour and steam off, subtle changes can get big effects.
I have an opportunity of a lifetime and I had my head in the wrong cloud for a day there. Looking after children is a role I adore, although I underestimated the challenge of this with an added bonus parcel of a little language barrier. (Although I studied Japanese, I can read and understand more than I can speak; It's a damn fast way to get your conversational language skills lubricated) So, my time, behaviour and interaction had very much come down to actions dominating words. In the big scheme, so little from me but meaning SOOO much to them. Made me think of the extreme, uncompromising love and commitment and generosity my Mum & Dad and Grandparents gave to me; the childhood I had where I was encouraged to try ANYTHING, play with EVERYTHING and have opportunity of diverse thought, actions and emotion. Where expression and being heard were qualities that were actively encouraged. What a rich upbringing. The realisation and reality of how very much it is a selfless act to properly look after a child. And how selfish I was being with my world, my needs, my curiosity for opportunities, my endeavours; snip snapping; searching and pushing upstream. Major game changer: Chill OUT and learn the new groove...
Because it had nothing to do with Tokyo and everything to do with me being a complicated dick.
TRIUMPH!
SO! The 42 Tokyo Motorcycle Show was shiny, well oiled and so spick and span, it was like a sales pitch on steroids. Held at the Tokyo Big Sight it contained many interesting stalls, including a fantastic setup by my favourite: Triumph ^=^
A lot of my enjoyment came from watching the other attendees and the bikes come to and from the event + the monorail trip to get from downtown to the Tokyo Wharf area of Koto is a yummy sightseeing tour too as it emerges from underground to curl around over the bridge and onto the island.
Sign me up for the Japanese Police Force!
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After all the bogans and bikes, it was culture time with a PHENOMENAL exhibition current running at The Ueno Royal Museum of up and coming contemporary Japanese artists (sorry no photos on this one guys as it was on lockdown ^.^ but check out the following artists who have seriously inspired me!)
Mariane Maiko Matsuo's work (click below for enlargements) was sublime. She is a Brazilian Artist of Japanese decent who works in Osaka. I am in love of her large scale, feminine and extremely intricate artworks. Murata Mineki's artwork called 'Breakthrough Drawing Ball Point on Plywood' was incredible. Mineki is a performance and predominantly 3D based Artist- so his selection for the exhibition was interesting as it was plywood that had literally been hacked and scraped through to make a bark like texture through the ball point pen markings. It was incredibly powerful- maybe more so to my eyes as I felt the time, pressure of application and intensity that had gone into the work through my own experience.
Mizuno Rina- WOW!
Screwing on a new pair of legs it was a bee-line to The National Museum of Western Art for the Guercino exhibition which blew my socks off, followed by their Matsukata Permanent Collection.
Guercino (1591-1666) was one of the major painters of the Italian Baroque period who further developed the Baroque aesthetics begun by painters Caravaggio and Carracci. Conversely, he was also a painter whose style helped form later academic painting methods, and in the past has numbered amongst the most famous painters in the history of Italian art. Around the mid 19th century, when the art world began to express new values and views, Guercino was dismissed and forgotten, only to be the subject of rediscovery from the mid 20th century onwards.
David Teniers, the Younger's "Temptation of St Anthony" completely captured me- see the detail in the flying monsters below- pictures 6 & 7.
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Seibuen Yuenchi: the play-land of Hello Kitty (no question I was a fizzing furball, if not more excited than the kiddies as we screamed off to the Viking boat for first ride). It's located a wee way out of Tokyo- but has a genuine air of actual fun. Proving that the expensive is not the best and that time and experience is best thing there is- and yen can't buy quality time!
One of my favorite artists (above), Camille Rose Garcia referrs to Disneyland as being the 'saddest place on earthโ- as is often the way; the fun, laughter and real joys are not in the places where they are advertised. Do I still need to visit Tokyo Disney? Nope- can't replicate today- plus I went up the best 'Tokyo Towerโ ever on the Ferris wheel with 4 adorable monkeys ^=^
A bit of NZ baking- 'lolly cake Japan style'
"Tokyo Tower"
Lolly Cake: A New Zealand favourite with a Japanese twist. No 'Eskimo' Lollies so we had marshmallows with blueberry jelly centers instead- and damn! they did the trick!
Down to one Freitag for 2 & 1/2 months travel. Thank you motorbiking for teaching me the art of ruck-sacking!
I am learning fast the Art of backpacking and really finding the craft in living off next to nothing, but having maximum fun! Actually so much fun, I can't figure out why the hell I haven't been doing this the whole time.. The house in which I stayed after the yogies- in a room I affectionately nicknamed "The Chopstick", plonked me within a diverse group of travellers who were mega cool. Named Australia House- ironically there wasn't an Aussie in sight, but one of every other jelly bean.
Hirafu, Kutchan, The three snow resorts: An'nupuri, Grand Hirafu and Hanazono, and snow life :)
Nosh time on Grand Hirafu
..and the super safe top single chair
The Hutt on the summit buried in snow ***
Mt Grandad Gibby would have been in his element. Finally all the components we were EVER looking for...!
Sitting so pretty in the cloud
I had a blast learning from other travellers; watching anime, snowboarding, finding the hidden gem foodies and bars and getting the ins and outs of 'how to's with $0 output' + nifty life hacks... oh and doing design work for one of Niseko's biggest entrepreneurs- check out the designs in DIGITAL
Working and relaxing with others, some who speak English, some who don't; some who speak Japanese, some who don't, really makes you up your game of interesting techniques for communication ;P You are all there because you want to be which brings an infectious energy to the environment- I feel like I have slipped out of orbit into a track that runs at whole different organic interesting flow. My new friends have similar backgrounds, interesting stories and are all curious, adventurous intriguing souls.
"The Chopstick"
...but the VIEW! Yotei in the morning ^+^
An interesting conversation developed the other night about how you reach a point where you have grown up within yourself to travel with no fixed plan and no tight bookings. You realise you have collected the skills and tools to work with, and have got to a point where the anxiety about using them to effect has toned back a notch to just trust in your instincts and decisions. It followed on to thoughts about positivity and why the opposite is more prevalent in society today. Here's me delivering a bit of tongue in cheek logic lol..
Lance, Rebecca and Nigel and Barbara were cave-men and ladies back a few hundred thousand years. They decided to go out on a group date one night as ya do. Take-outs were closed, the nectar bars run dry and they had missed the boat a bit with dinner so got their hunt on. They had wandered into unfamiliar territory but Lance and Rebecca being the 'cow hide up' kinda peps went charging into a cave looking for a tiger to hunt. It was all good- they had their tiger catching skills down pat from hunting back in their neck of the woods. Nigel and Barbara werenโt so sure, they hid outside the cave- there were too many obstacles, it was dark, there was a hike to get in there, there were all sorts of other creepies and crawlies!
Unfortunately for Lance and Rebecca, they hadnโt expected the Brown Bear that had made the cave his home, and who unfortunately wasnโt too keen on being woken up. He didnโt mean to eat them, mornings and surprises werenโt his forte. Nigel and Barbara freaked, flipped and ran. โOf CORSE the others were going to get eaten they said!โ. The story became a fable to the next generations- passed down from Nigel and Barabaraโs children, an on to the children who followed.
Who was that dude who ate the poisonous berry so we know not to? -Lanceโs Grandpa eh?! Makes you think of all the different components that make each individual experience so different and varied too... thoughts?
Yesterday I decided it was time to get on the road again and make my way down the island. Robert and Dan from Aussie House were road tripping around Hokkaido, and it worked out that I joined them with a friend to hit some amazing spots before hitch-hiking on further around the coast of Hokkaido. Starting off in Kutchan at the ยฅ100 Shop ($1 for ya'll in Kiwi) to dress up the car: "The Dominator- Delica" we then travelled on Route 66 (yeehhaaaa!) to Lake Toya- an incredibly idillic spot with an active volcano and an island in the middle of the lake. We visited a mental institution that collapsed in an eruption and stopped for a pic-nic/ snooze in the sun with homemade quiche (GO SAM!!) on the lakefront.
Phenominal stone sculpture at Toyakochoakebono Park- each stone was individually numbered
I parted ways at Date and hitchhiked around the coast to Tomakomai, where I was shown exceptional kindness & Japanese hospitality and taken for sushi train express for dinner. Domo Arigato Gozaimasu! Today was a travelling adventure to the Ferry Terminal to catch an overnight MOL Sunflower Ferry from Tomakomai to Oarai outside Tokyo.
Today Hokkaido, tomorrow Honshu! Looking forwards to sea legs for 12 hours and to what I come across next!
My hitchhiking companions ^=^
Lake Toya, Tomakomai...
THIS. IS. IT. xx
โEven daylight curls herself in nightโs embrace
The laughing lady must have a darkness in her smile,
Not dusky, more like midnight,
Inky undulating pillows of ideas emanating from the
Inside
Out
Embellished with apertures framing opportunity.
Refracting snapshots build an image
The echo of a past production
Yet familiar in consistency and familiarity; the bass notes with resonance and sound
Dynamic adaption to change
quiet, subtle but conscious evolution
Reflection. Growths breaking apart and reforming in
New
Better.
Stronger
Function over form.โ
โThe day the mountains move has come.
Or so I say, though no one will believe me.
The mountains were merely asleep for a while.
But in ages past, they had moved, as if they were on fire.
If you donโt believe me, thats fine with me.
All I ask is that you believe this and only this,
That at this very moment, women are awakening from their slumber.
If I could write entirely in the first person,
I, who am a woman.
If I could write entirely in the first person,
I, I.โ
